Showing posts with label New York Times. Show all posts
Showing posts with label New York Times. Show all posts

Friday, April 21, 2017

Prince - It's been one year

I said to some friends and coworkers yesterday, tomorrow will be one year since Prince died.  I was sad.  All over again.

A year ago, I thought, I'm going to gather together all my books and magazine articles on Prince and shove them together in one photo to show to all my devotion and love to all his music.  As if doing so would prove to the world how much he meant to me.  To show, I suppose, the depth of my grief.  The loss of that voice, his suggestive eyes and moves, his incredible, electrifying guitar ability.  But I didn't do it--take the photo, that is.  I just couldn't bring myself to see it lain out in front of me.

Earlier this week I had read and re-read accounts of when he had died along with some updated articles from the NY Times you can find here, an account of phenomenal singer Judith Hill on the flight that landed in Moline, IL, 6 days before Prince's death, here.  There are more links to other article within these two articles.

There was also an article in The New Yorker from April 6th, in which the author, Ben Greenman, says,

When I encounter someone else who is as devoted to Prince’s music as I am, I tend to turn away from that person, embarrassed by the recognition of mutual interest, eager to return to the safety of private joy. There’s an early Prince song, “Private Joy,” in which he jealously keeps a lover to himself: “Ain’t gonna tell nobody nobody ‘bout my little pretty toy.” I knew what he meant.

I know, too.

When you love an actor or musician or author so much--when their work affects you so deeply and has become a background benchmark to numerous events in your life, your loss isn't fleeting.  It's deeply personal and deeply cutting, and painfully lasting, or as Prince sang in the song Adore. "until the end of time..."

My tribute from this day last year.

Sunday, September 6, 2015

Iggy Pop

Godfather of Punk, '80's Style

Iggy Pop
Watercolor and Ink

I was up until 5:30 a.m. last night.  I have been so busy lately and have been away from making art for too long.  I ended up drawing three pictures yesterday, and this one was in the wee hours of the morning.  I was watching Reese Witherspoon in, "WILD" based on Cheryl Strayed's amazing book of the same name.  That movie, and Reece's acting in it, are so incredible.  

I wanted to savor the silence of the night, after non-stop rushing for two weeks.  I want to dive into time, roll around in it's murky silence.  I  had two dogs on the couch with me, both of my hands slowly petting each as I thought about life.  Around 3, I felt compelled to profile another wild human. I love the angles of Iggy's face, just as I love the lines of old people.  So many interesting planes and angles and shadows that youthful faces just don't contain.  I like the deviation from the norm, the lines of life that make someone interesting within and without, making me want to know their stories.  I have one more day to be able to have the heavenly gift of time unfolding without a schedule.  I'll have to be back on one soon enough.

P.S. By the way, here's a link to The NY Times' ArtsBeat article on Cheryl Strayed.  In it, a critic says her book had a "punk spirit!"   O.K., I swear to you, I only saw this right now, the morning after I painted this.  She was successful to the nth degree conveying that punk feeling, because after watching it, I was left with that same feeling and let it come through me as a painting of the great Iggy.

Sunday, August 23, 2015

New York Times - Modern Love

This is susch a beautiful piece from Moth Collective and The New York Times. Please watch.

New York Times - Modern Love from Moth on Vimeo.

From Moth Collective: 'A Kiss, Deferred' is our contribution to the New York Times' Modern Love column, based on a true story written by Nikolina Kulidžan. The full article can be read here: http://www.nytimes.com/2015/08/02/fashion/a-kiss-deferred-by-bosnia-and-herzegovina-civil-war.html?_r=0 Designed and directed by Moth Collective

Sunday, July 12, 2015

Goodbye Omar Sharif

I think I first saw Omar Sharif in Funny Girl.  He seemed dangerously sexy.  A man who kept his distance from Barbra Streisand's Fanny Brice character, until she reached a riper age for deflowering.  At that point, he was calling for action.  Whew!

I saw him later in Doctor Zhivago, my mom being a fan of that, Camelot, etc., I found myself drawn in as well.  Zhivago sealed the deal in my admiration of Sharif.  He was a gorgeous man, a tortured soul (hmm, I wonder if that fed into my obsession with Russian history).  Anyhow, I was very saddened by the announcement of his death.  He lived a good, long life, and I thank him for his simmering, feeling, slow-burning roles.  He was an incredible talent.

Check out Robert Berkvist's excellent "New York Times" tribute article HERE.

Oil Pastel, ink, acrylic, watercolor

Omar Sharif and Barbra Streisand in Funny Girl Scene
"You Are Woman, I Am Man, Let's Kiss"


Sunday, February 15, 2015

RIP Philip Levine

Goodbye, Philip Levine, Poet Laureate and Pulitzer Prize winner, and champion of the working class.

Quote from interview with the Paris Review:
"I realized that I wanted to enter my life exactly as I had the first time, but with one huge difference:  this time I wanted to love my life and myself."
And this beautiful line of observation from his poem, "The Last Shift" on the closing of the Detroit Packard plant (Hear in his own voice from the Detroit Free Press here):
"A police car dozed across the street, its motor running. I could see the two of them eating jelly doughnuts as delicately as two elderly women and drinking their coffee from little styrofoam cups."
When a writer or poet dies of such import--no, I will say of any import--I visualize their beautiful words, swirling around and within their souls, down into the ground, into the flames, into the sky, forever and always intertwined with their essence of existence and a gift to anyone--that number ever diminishing--who will hear and read them.


Click here for the NY Times Obituary

Click here for Comcast's Obit, which was very good, but which disappeared from the main page after just a few hours to be replaced by a star's 2nd pregnancy announcement.  For a reason such is this, I write this blog.

Any finally, this excellent clip of the film, "Packard:  The Last Shift."  Please watch, it's so good, haunting, moving.

 How he started.


Thursday, September 25, 2014

Feeling Frustrated SOLD

I am feeling frustrated (not the word I was going to do).  I wrote a blog post for each of my last face paintings, but then didn't include them.  Sometimes I just don't want to explain myself.   Ugh.  I have some really great things going on in my life, but I also feel like I'm spinning my wheels and spinning my wheels and don't know where the hell I'm going or what I'm doing.  Sometimes it feels like no matter what you do, it's not enough and everyone is sprinting ahead of you.  And, every time you think you're achieving something, spilling your guts out through paint, someone is achieving more.   (I know, I KNOW--it's not about comparing...but seriously, SOMETIMES it WILL creep in!)  I was just watching a documentary where this guy who is autistic and a painter, said when people say they could do what he does, he says to them, "Good.  Do it."  (-;

I cringe as I reread this.  What a cry baby.  Too bad.  I'm feelin' it.  Maybe someone who's feeling the same will feel better knowing there's another sad sack out there.  Maybe I'm just tired.  I want to pull a Thoreau and just go live in a cabin in solitude for two years.  Yes, I'd say I better get some sleep.

I read in the New York Times that André 3000 of Outkast was recounting how Prince told him the following:
“When you come back, people want to be wowed. 
And what’s the best way to wow people? 
Just give them the hits.” 
I’m explaining to him that I really didn’t want to do it. 
He said: “I’ve been there. I’ve tried to do other things. 
After you give them the hits, then you can do whatever.” 

Well, I idolize Prince.  I should take his advice.  I should paint some cute, happy, approachable pictures.  Uh, huh.  Instead I'm feeling like Irish-born/British figurative painter, Francis Bacon.

This painting started out as a long, pissed-off balloon face with super squinty eyes and a hand flippin' the bird.  I tried to calm it down.  I feel like I have to censor myself so I don't get all sorts of labels thrown my way.  Shall I say, dear world, UGH again?  I see my future...I'll die from inhalation of toxic fumes from oil paints, both inhaled and absorbed through my skin which is always smeared with something (hmm, that doesn't sound good), lying on the ground outside of 6 storage units, filled with all my paintings.  See?  I AM in a bad mood.  This dude doesn't look nearly as angry as I started out feeling.  Guess the music I was listening to helped me to get out of my funk.

 12" x 24"
Oil, Acrylic, Ink, Ground Pastel, Frustration on Canvas

My palette:


My music to try to get out of this funky funk:

Violent Femmes - "Add It Up"


Iggy Pop & The Stooges - "Search and Destroy"




Sunday, March 2, 2014

Good luck tonight, Matthew McConaughey SOLD

Good luck tonight at the Oscars, Matthew McConaughey.  Your acting chops have dazzled in movies since 2011 (just saw your disturbing turn in "Killer Joe" last night).  You've been consistently amazing, soared in "Dallas Buyers Club" and have me completely mesmerized by your performance in HBO's "True Detective."

I watch every episode over and over, and think of how you have changed your entire career by--to quote your unrecognizable character, Rust Coehle--"start(ed) asking the right fucking questions."

14" x 17"
Coffee, acrylic, ink, charcoal

 Here's that quote in action:


Also, check out this great article in The New York Times, "Side Road to Success Wins Matthew McConaughey Admiration"

Monday, February 3, 2014

RIP Philip Seymour Hoffman SOLD

I was watching some preliminary Super Bowl shows and was getting a little bored by some chic singing in leather so I did a little channel surfing and ended up on the E Channel which was doing a "Sex in the City" marathon.  My excitement fell off immediately as I saw a banner running at the bottom of the screen.  "...found dead in his NYC apartment."  And I didn't know who it was.  I kept reading, but there was no name yet, and eventually the message ran in a loop, and I saw it..."Philip Seymour Hoffman."  I couldn't believe it...and then I felt immediate devastation.  He was one of my very favorite, favorite actors.  I remember seeing him in "Scent of A Woman" and being impressed.  However, I think the movie where I became thunderstruck by his talent was, "The Talented Mr. Ripley." I thought, wow, this guy is incredible.  Nuanced beyond belief.  And that did it.  I followed him from that moment on, and he never disappointed.  He became my modern day, Al Pacino.  Not in looks, of course, but in his ability to swing from any movie role and off onto a Broadway stage as well, just as Al does.  He could sink deeply into a sinister role, but just as brilliantly be funny, arrogant, and tender in something like, "Along Came Polly."

I said to my husband, I just can't believe it!  This guy was so phenomenal...he had the admiration of his peers, an academy award, so many nominations.  But I know that means nothing if you are haunted by inner demons.  And he was so good that one has to think that there had to be so much pressure on him to be continually phenomenal with every role.  That expectation had to take a toll.

I remember last year when there were news reports that he had went into rehab...that he had snorted heroin 3 or 4 times, and he realized he had better go into rehab before it got worse.  I had been surprised by that news, but was so glad he gotten help.  At that time, I don't remember there having been reports of his former struggle (up until his early 20's) with addiction.

I have been reading articles on him all night, and their reader comments.  Articles quote this one and that one with our modern day form of condolence--the Twitter tweet of sorrow.  No article that I've seen, however, has quoted Jim Carrey's tweet, which I think is probably the most accurate one of them all:

"Dear Philip, a beautiful beautiful soul. 
For the most sensitive among us the noise can be too much. 
Bless your heart."

I'm so sad tonight and still really, in a state of absolute shock.  And I'm so sorry for the loss of you, Philip...unbelievably talented, shooting star of depth and heart-rending emotion.


Article link below from the New York Times:

and another great one from "The New Yorker":


Monday, September 16, 2013

Day 265. Who Saw That Plot Change Coming?

Late at night, congratulating himself on his superior deductive skills by figuring out who the culprit was, Leonard was given a swift kick in the patootie of smugness when the author switched things up and delivered an ending worthy of its place on the The New York Times® Best Sellers list.

"Oh my goodness," he squealed to his armchair, "who saw that plot change coming?"




Monday, September 9, 2013

Day 258. Marion Dougherty Upon First Seeing Al Pacino

HBO recently showed a wonderful documentary called "Casting By" which featured the importance and influence of casting directors on the film industry.  The grand dame of these crucial role players was Marion Dougherty.  It is a testament to this woman's incredible gut instincts, who in a very real way, shaped many of the greatest films ever to come out of Hollywood.  Someone who rarely got her due--no single card credit in a movie's acknowledgements of talent nor honorary Oscar for her influence by the Academy of Motion Pictures as spearheaded and petitioned by Clint Eastwood and other stars in 1991.  However, hopefully this documentary, full of wonderful film clips, interviews with our greatest film stars, and other prominent casting directors, will help rectify the lack of credit Dougherty received in the past.

At one point, Marion talks about my favorite star, Al Pacino, who she went to see off-broadway in 1968 in "The Indian Wants the Bronx."  She said, "that he was so good, that the hairs on the back of my neck stood up."  She added that that had only happened to her 3 or 4 times in her entire life.  Ah, Al Pacino.  I will champion your acting brilliance to my death!

Here's how I imagine Marion Dougherty seeing Al Pacino back in the late '60's--electrified, by his sizzling performance! (-:



Here's a little film clip of the documentary:
http://www.hbo.com/documentaries/casting-by/video/trailer.html

Here's the NY Times article on many of the casting directors in the film:
http://www.nytimes.com/2013/08/04/movies/casting-directors-get-their-due-in-hbos-film-casting-by.html?pagewanted=all&_r=0